However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops.Īt the end of the film, Keaton's character locks up the cops in the police station. He gets into various scraps with police officers throughout the film. Even though the central character's intentions are good, he cannot win, no matter how inventively he tries.
#Buster keaton cops trial#
This very Kafka-esque film was filmed during the rape-and-murder trial of Fatty Arbuckle, a circumstance that may have influenced the short's tone of hopeless ensnarement. the shot where Buster is catapulted off the ladder is extremely unrealistic and requires camera trickery and wire-work to pull off this means that what is shown on-screen is not actually what happened, therefore it is expressive filmmaking.Cops is a 1922 American two-reel silent comedy film about a young man ( Buster Keaton) who accidentally gets on the bad side of the entire Los Angeles Police Department during a parade and is chased all over town. when the carriage crashes into the fire hydrant, the watery explosion is very unrealistic this use of exaggerated mise-en-scene is used to manipulate the audience and emphasise the chaos of the scene, making it an expressive technique. the shot where buster joins the parade is an example of realist filmmaking, as the shot uses a deep focus, natural lighting and it is an extended take. This is an expressive editing technique used to manipulate the audience into believing that these two events are happening simultaneously. parallel editing is used when the police are shown to be marching in the parade, and when buster is setting off with his horse. Editing to manipulate the audience is typically attributed to Russian Soviet Montage films, a type of expressionist film.
the iris close-up shot of “Dr Smith Goat Gland Specialist Sign” directs the audience to focus on a specific place in the frame. This makes the film lean more to the realist side. the sets for this film are very realistic, as are the props and costumes. This is an example of expressionism, as editing is used to manipulate the audience (a typical technique of Russian Soviet montage) into focusing on something specific. when the man hands Buster the address of his new home, there is a close-up of the card. the shot where the man and his family are loading their wares onto the back of the trailer is an extended wide take, using deep focus and natural lighting this shot is a perfect example of realist filmmaking, as the audience is able to decide where they want to focus. This is an example of Russian Soviet Montage, a form of expressionism.
when the shady man across the road is looking at Buster, the Kuleshov effect is used to show the man’s intentions as the shot is intercut with shots of Buster handling his money.
The idea of imprisonment could also foreshadow Buster’s run in with the police later on. The next shot shows he is just standing behind a gate the use of camera tricks to manipulate the audience’s interpretation of the film is an expressionist technique which Andre Bazin was strongly against.
in the first shot, Buster appears as if he is in jail, as he is behind metal bars.
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